Showcase contemporary art from Iran, Iraq and Sudan

Now the Museum of Modern Art — which in past decades has cultivated a templelike detachment — is making its voice heard as well. In one of the strongest protests yet by a major cultural institution, the museum has reconfigured its fifth-floor permanent-collection galleries — interrupting its narrative of Western Modernism, from Cézanne through World War II — to showcase contemporary art from Iran, Iraq and Sudan, whose citizens are subject to the ban. A Picasso came down. Matisse, down. Ensor, Boccioni, Picabia, Burri: They made way for artists who, if they are alive and abroad, cannot see their work in the museum’s most august galleries. (A work from a Syrian artist has been added to the film program. The other affected countries are Somalia, Yemen and Libya.)